I wouldn’t typically think that a retail newsletter has much discussion worthy content, but I found this particular blurb from Kermit Lynch interesting:
"Bordeaux trembles…or so it seemed to me a couple of weeks ago. I went to Bordeaux to taste and heard a lot of gossip in the cellars. The fear and trembling emanates from the elite, expensive, classified growths—expensive enough to price themselves out of the huge American market once the Bush recession hit in 2008. The châteaux turned their sights on the Chinese market, which was greedy for the wines even at unheard-of prices. One top château sold over 60% of its production to China! Ten other châteaux sold their vines, wines, even their châteaux to the Chinese. Huge profits were enjoyed by all. Everything was hunky-dory.
However, in 2014 the Chinese market simply closed. The curtain fell, boom, no one knows why, and sales stopped. The top châteaux must now be asking, where do we turn next? As if that weren’t enough, they are worried about life without Robert Parker. No one ever enriched the Bordeaux coffers more than he has for the past thirty-three years. I’m not sure why, but his presence in the wine market is not as gigantic as before.
Those two absences, the Chinese and Parker, could have an earthquake-like influence on Bordeaux and its wines. Prices are sure to come down, perhaps drastically. Maybe, hopefully, their winemaking recipe (singular, not plural) will change. The sameness of the taste of the classified growths dulls my palate and my spirit. It’s a downright shame. Shameful, too. Where is that impressively sinister, tannic bite that I used to love? Where the aromatic complexity? Where the vivid differences between the wines from one château to another? Where is a goût de terroir?
But what, me worry? When I go to Bordeaux, I don’t go to visit the famed estates. I go to visit vignerons. When a plutocrat or a bank or an insurance company or a dot-com firm buys a winery, they have no roots there. They don’t live there or work there. Mostly they hire someone out of enology school to come and apply the one-hundred-point recipe of the year. Bah, humbug!"
Kermit goes on to tell the story of producers that they carry, but wasn’t sure how to take the above. None of it is surprising - after multiple bad vintages many expected the Bordeaux bubble to burst, but it’s the first I’ve heard of the Chinese market simply shutting down. A significant price reduction (correction) would certainly be welcome on the prestigious classed growths, but we’ve really yet to see another high quality vintage (past 2010) on the market to gauge the next real market price. Not only that, but could we see some stylistic changes among the classed growths as Parker’s influences wanes?
Is this just Kermit adding some interest and commentary to his monthly newsletter or is this more substantive and real? I’m really not sure.