What a beauty. Such subtle, sublime, delicate with a strong floral attitude and in the finish a juicy fruit. At its peak, but no hurry to drink. Open a bottle now, you will enjoy it. Maybe with a light fish dish.
It’s not a jump-in-the-face wine or a 99/100 Riesling. But I have to point out that we can’t drink points/scores. When winemakers make a tasting (winemakers only!), they never give points/scores, instead the first empty bottle is the winner.
"When winemakers make a tasting (winemakers only!), they never give points/scores, instead the first empty bottle is the winner.
P.S. also lovely on day 2. No decline."
The P.S. seems to contradict the tasting note… as you waited for the second day to finish the bottle…
Cheers Martin. I also enjoy the occasional Lauer who is a great guy, makes great wine and even speaks French… saving my poor and pathetic attempts at speaking Goethe language …
The next MFW issue, which covers 2019 dry rieslings, should cover them. Can’t remember where I saw it but apparently there’s an embargo about discussing/reviewing GGs until after the VDP auction season.
I ordered 3 of both from Lopa. For me, buying Lauer at a reasonable price is like paying a utility bill — don’t overthink it. It’s hard to imagine they’re less than delicious.
This is not entirely true or maybe not adhered to by some publications. The Wine Advocate posts GG reviews before as does Jancis and I think John Gilman.
Wine Advocate has Schonfels at 92-93 and Fels at 91-92. Personally I love Schonfels and it is a major buy every year.
It does surprise me that Lauer hasn’t blown up. They are so delicious and pure, the vineyards are great, and the story—a talented young winemaker making singular, small-production wines and championing historical vineyards in the Saar—resonates.
In Germany he is one of the few new talents who entered that group of really esteemed estates in a few years. He became member of VDP (not easy in Mosel), auctions in Trier’s Großer Ring, gets high ratings, sells at high price. He is not an inside tip any more. All this with wines wich are not that easy to understand: they are often very high in acidity, the vineyards (except Kupp) are not famous, he uses several plots of the official vineyards on the label, the numbers (Fass Nr) are confusing, you never know how sweet the wines are, he has an won concept reading the Prädikats (Kabinett, Spätlese, Auslese) so you often don’t get what you expect. All these were topics of long discussions among afficionados years ago. But now, Peter is simpy one of the great producers on the Saar.