Very thoughtful post as always.
I agree that almost every wine has some element of blending to it. In 2018, the sum total of our fruit from the Upper Bench at Temperance Hill filled one barrel and a wee bit of topping wine. But mostly, vineyard designates in our cellar are still wines from selected from a larger group.
What I found most compelling about the vineyard based wines, was the singularity of each wine while still retaining the essential place of the vineyard. When I opened Durant, it would be unique and yet very Durant. Whistling Ridge held that essential Whistling Ridgeness in the nature of the wine. Having multiple vineyards meant that I had a range of expressions to try, to explore, and to learn about, and with the least amount of interference.
The tete de cuvee always tasted the same. Yes, it was a lovely wine but with blending you not only make the vineyard fuzzy, but also the vintage. In 2011, our coldest vintage the tete de cuvee was 13.0% abv as I had picked the barrels with the most weight and substance. In 2012, it was 13.2% as I had blended the barrels that were very much on the elegant side of my options. You blend away flaws, and you blend away the high points as well. It was just always a boringly predictable wine. I didn’t need to open it, because I knew how it would taste.
Blending in the youthful stages of wine production it’s very difficult for a winemaker to not want to make things more impressive. We’re judged on work that we have only one opportunity per year to produce. A lot of beautiful wines really need time to become what they are, and many of the most beautiful wines can seem wan or lesser at the point of bottling, and if the option for blending is there, very, very, very few winemakers wouldn’t “correct” the wine.
When I started working with the Durant family in 2010, I had a 2 acre block that was mid-slope, East facing, very optimal in my opinion. I also split the old vine Bishop Block with Jim and Patty from PGC, and I made a wine for the Durants from a block lower down at the foot of the hill planted in 1993. With the low block, I split the wine with the Durant family 50/50. So I had wines from all three blocks, and felt that the old vine and my block produced excellent wines, while the lower elevation block was always pale and lacking the substance of the other two blocks. Invariably it would close the gap a little after being in barrel for 15-16 months but it never had the heft or intensity of the other two blocks. Because the Durant wine came only from that fruit, I was able to compare the wines as they evolved, and while I knew that we had made them a nice wine in 2010, I was surprised to see it close the gap on the other wines by 2015-2016. I was even more surprised to taste the wines in 2018 and feel that my vineyard designate was really good, but just a little too rich and dense compared to the sheer prettiness of the Durant family bottling. Maybe in 4-5 more years that will reverse again, but it was a lesson for me and definitely reinforced my desire to continue producing the range of block bottlings that I began doing in 2017. The Long Acre wines would probably never make a tete de cuvee wine at bottling, but that block bottling is consistently one of my favorites because it gains just enough weight in bottle to have the balance between etherealness and intensity that I really want.
I haven’t seen Jim post here, but he and I definitely share the love of how this bit of dirt and that are different. And we both will generally take fruit if it’s old vine and from a place that we believe is farmed well and has a unique aspect. Ultimately, we just share a need to know what each place tastes like. The average consumer probably would prefer a delicious bottle of Pinot that is consistent(as Pinot Noir can be), and that’s a very fair reality. They also don’t need to be gouged by producers who over value their work or by smarmy importers who know if they can get a hipster label and tell the right story about an unheard of producer from region x in Europe, that they can make a boatload of money marking the wine up egregiously.
There are also many regions that grow multiple grape varieties in order to blend them in the vineyard and between vineyards, like the Rhone valley.
But I think that most serious enthusiasts, will eventually need to dig into more restricted wines. Burgundy, Piedmont, Oregon, and also in many ways the Loire Valley all produce tremendous wines that are single variety wines, often from a single plot.
As a wine lover, I can’t imagine having Clos des Briords blended. That’s an appalling idea. It doesn’t mean that all Muscadet should be vineyard designate, any more than I would ever not make a Willamette Valley bottling.
I think what irritates me the most about this article, besides some jackass writer directly insinuating a lack of moral character in producers, is the idea that we somehow don’t have a balance between “terroir” based wines and blends. There’s no shortage of both options(there’s no shortage of any kind of wine at all, except perhaps reasonably priced GC Burgundy…).
That’s one of the reasons that I think this is paid for propaganda. The beneficiaries of consumers viewing vineyard designates as a scam would definitely include larger distributors and wine factories where the ups and downs of individual sites disrupt the predictable continuity that box movers prefer.