The ones I love:
JB Neufeld - very Saul Bass, love it!
Jonata, Gaja etc - I’m a sucker for the ones where there’s a contrasting band at the top, like in the Dubonnet/Campari camp.
Enfield Wine Co - that huge swath of red is really simple and eye catching.
Hunter Glenn - I love how they created a logo from the amalgamation of the initials. Invokes some old car brand or something.
Claus Presinger - A study in minimalism and a pretty big influence on the labels I did.
Sibylle Kunz - another great use of minimalism and swaths of color. Very concise and interesting branding.
La Stoppa - good balance between minimalism and traditionalism (i.e. showing vineyard/estate on label)
Birtokbor - Pharmaceutical and medicinal, love it.
Porseleinberg - if you’re gonna invoke traditionalism and pedigree, then doing it embossed is really cool and makes it feel modern.
Ridge - I mean, what a simple classic. I bet there was a time when it didn’t feel right maybe, but everything is cyclical and it’s def come full circle now. That font and color schemes feels really fresh.
The stuff I’m getting sick of:
I’m so over the natural wine movements “whimsical” hippie labels. Henna printed art, home stamped, watercolor art or nonsensical stuff. If I have to turn the bottle around to read what’s actually in it or who makes it, I think you’ve already failed. But people seem to love it. When I go to my hip natural wine stores here, it’s all that. Shelf after shelf, they all look exactly the same and there’s no knowing who makes it, what’s in it or what vintage. Sigh.
So over the the old western-trying-to-invoke-old-lettering-or-tradition stuff like Phinney’s Cooper & Thief label. I’m sorry, that just feels very 2010 and it has run its course now. Every artisanal Gin or Rye distillery has that style on the label trying to pretend they’ve been around since 1880, even though they’ve barely been in business for 3 weeks and are owned by Diageo. Yuck.
Overly traditional cursive stuff, again trying to invoke classic aristocracy or pedigree. That’s why I can’t really get that excited about Carlisle or Kutch from a design perspective (I know they make great wines).
Me too - I absolutely love the old, old one from the 70s/80s, a theme they kept up until this new one (which is still classy, but not that classic “Game of Thrones” gothic.
My favorite Burgundy label. It used to be Misserey et Freres, the old label from the 50s through the 80s was classic Burgundy (sorry, don’t know how to post pictures) -
Agree on Ridge - such a timeless design and never in need a brand refresh. I’m also a big fan of the Hirsch Estate wine labels. Locally in Santa Barbara County, my favorites are Tyler, Melville, and the classic quirkiness of Au Bon Climat (maybe not “beautiful” but I like the design).
Others favorites - Vietti, Produttori, Le Ragnaie, Montevertine, Cristom, Big Table Farm, Brick House, Gramercy, R Lopez de Heredia Vina Tondonia, Heitz, Clos du Marquis, St Cosme, Mount Eden, Vieux Telegraphe, Ceritas, Jamet, Clos des Lambrays, Raen.
I love the traditional French label design - so could go deeper there.
Nice list of Old Wolrd labels. I love Produttori del Barbaresco in all variants, just so classic! R Lopez de Heredia beautiful beautiful stuff… as all the others you mention above