I bought a case of assorted Grunhaus in 2015, none is 2016. Looks like I made the correct decision. Have a decent amount of 2012s. The vintage I wish I had bought more from, esp. at the Auslese level, is 2010.
Thatâs true. The Saar and Ruwer, while farther south, are higher up than the Middle Mosel. Along these two tributaries of the Mosel River, many of the best sites are in side valleys, which are cooler and often more exposed to winds than in the Mosel Valley. In a warming climate, this makes an even bigger difference in retaining what you call âfocus.â Iâm biased, but to me no one on the Saar makes wines like Hofgut Falkenstein. As for the 2016 vintage, I really liked Egon MĂźllerâs Scharzhofberger Kabinett and Kabinett Alte Reben. But his 2017 and 2018 vintages tasted noticeably riper and rounder, if you will.
I should add that the higher elevation, especially in the side valleys of the Saar, means higher day and night temperature differences, which gives the wines a higher acidity.
I also largely skipped 2016 but after tasting some, realized that was a mistake. Backfilled as most were still available. As for Grunhaus, Iâm not sure the 2016 Abtsberg Spatlese isnât better than the 2015. Itâs certainly better now. Thankfully have both and it will be fun to follow them.
In my previous post, I went back and added that last line about cooler night temperatures and higher acidity. The higher day and night temperature differences, also known as a higher diurnal temperature variation, is said to preserve acidity (especially malic acids). Saar Riesling tends to have higher acidity with more apple, lime, or lemon flavors than those of the Middle Mosel.
I always struggle to differentiate Mosel, Saar and Ruwer with any firm distinctions that hold true in all circumstances. It seems to me like anytime you try to put characteristics to any of the three there is a counter-example than quickly forms an exception. But I think itâs a noble effort to try to generalize. My favorite Saar producer is Peter Lauer, and for me Florianâs wines have more in common with the wines of JJ Prum than they do with the wines of Egon Muller. I also wonder whether climate change will blur these distinctions even further. Itâs a wonderful time to be a Mosel wine lover.
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So true. The winegrowing and -making play such a crucial role. But I find very little in common between the wines of Peter Lauer and J.J. PrĂźm. Many Lauer wines are dry or off-dry and go through malo. But I would agree that the wines of Egon MĂźller are different from Peter Lauer. For one, Egon MĂźller has mainly residually sweet wines and mostly Fuder casks. A notable exception is the entry-level Scharzhof Riesling, which is more off-dry and vinified in stainless steel. Florian Lauer ferments the majority of his wines in either fiberglass or stainless-steel tanks. He has about six or seven casks that are used for a few of his top dry or dry-ish wines, such as the GGs or Unterstenberg.
Russell has me right. Lars, I donât drink the technical data. I meant that the kinship between same pradikat wines of Prum and Lauer, based on the way the wines taste and smell, outweighs the kinship between Lauer and Muller for wines of the same pradikat, notwithstanding the fact that Lauer and Muller share the Saar while Prum does not. But Iâm happy enough for someone to disagree with me on my premise in any event. If someone said they donât see any similarity between a glass of Lauer spatlese and one Prum, I wouldnât be so shocked. These things affect people differently.
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To be fair, I havenât tasted the 2018s of either J.J. PrĂźm or Peter Lauer, much less compared their Kabinetts or Spätlesen side by side. But I see your point. Perhaps their residually sweet wines are more reductive than those of Egon MĂźller.
Although no one is allowed in the cellar at J.J. PrĂźm, itâs pretty certain that the wines ferment spontaneously at cool temperatures in stainless-steel tanks, though some insiders say that the wines are vinified in fiberglass. The size and material of a vessel affects the taste of the wine, even if it canât always be identified blind.
Speaking of Krettnacher Euchariusberg, Iâve really been taken with Stefan Mullerâs wines from that site as well! He has a few different bottlings, but at least one is an alte reben also from the GroĂschock section; Lars, I imagine youâve tried it, anyone else? My German friend Oliver was stoked to see the wines in the US.
Really, the quality coming from the Saar in general right now, I think itâs hard to beat. A short term positive side effect of climate change, perhaps?
I opened two 2019 Stefan Millers this week, thoughts:
Krettnacher Altenberg Kabinett (09 20) is all red fruits, energy and sherbet, slate and lime in the background, light Spatlese in style but Kabi crispness.
Niedermenniger Sonnenberg Kabinett Alte Reben (08 20) is similar, peach puree rather than red fruits, softer.
A nice early check on 2019s, these were âŹ10 each and indicate 8.5% alcohol, excellent value though not attempting the âold fashionedâ Kabi style I adore.
To be honest, I last tasted Stefan MĂźllerâs wines from cask. It must have been his 2017s. Yes, he acquired a 0.37-hectare old-vine parcel lower down the prime south-facing slope a few years ago. His other holdings in the enlarged post-1971 Krettnacher Euchariusberg are on other hillsides.
Vinum Weinguide Deutschland awarded the 2016 Niedermenniger Herrenberg Spätlese feinherb AP 3, 2017 Niedermenniger Herrenberg Spätlese feinherb AP 23, and 2018 Niedermenniger Herrenberg Spätlese feinherb AP 21 as the best Riesling feinherb of the vintage. Thatâs three consecutive vintages that Hofgut Falkenstein was voted tops for an off-dry Riesling in Germanyâs leading wine guide. The new edition comes out on November 2.